Artist's Resume


Jeremiah Miller




EDUCATION

BFA, Ringling College of Art & Design, Sarasota, FL
University of South Florida, Tampa
BFA & MFA, University of North Carolina at Greensboro

EXHIBITIONS

2012 Artworks Gallery, Winston-Salem, NC
2011 Wake Forest University Baptist Medical Center, Winston-Salem, NC
2011 Apple Gallery, Danbury, NC
2011 Artworks Gallery, Winston-Salem, NC
2010 Keener Gallery, Winston-Salem, NC
2010 Dalton Gallery, Rock Hill, SC
2010 Artworks Gallery, Winston-Salem, NC
2009 Waterworks Visual Art Center, Salisbury, NC
2008 Milliken Gallery, Converse College, Spartanburg, SC
2007 Gateway Gallery, the Enrichment Center, Winston-Salem, NC
2007 Mooney Gallery, College of New Rochelle, NY
2006 Glance Gallery, Raleigh, NC
2006 Sumter Museum of Art, Sumter, SC, "South Carolina State Collection, 1987-2006"
2006 Elder Gallery, Charlotte, NC, "Earth and Its Elements"
2005 Glance Gallery, Raleigh, NC
2005 "Hand to Hand" Green Hill Center for NC Art, Greensboro
2004 Glance Gallery, Raleigh, NC
2004 Milton Rhodes Gallery, Sawtooth Center, Winston-Salem, NC
2003 "Riverways and Skyways"Caldwell Arts Council, Lenoir, NC
2001 Burroughs-Chapin Art Museum, Myrtle Beach, SC
2001 University of South Carolina at Aiken
2000 Regional Fine Art Center, Tullahoma, TN
1999 Footlight Players Theatre, Charleston, SC
1999 Art Thomas Gallery, Charleston, SC
1998 "Our Connection to the Land", Green Hill Center for North Carolina Art, Greensboro, NC
1997 University of South Carolina at Beaufort
1995 Art on Paper, Weatherspoon Art Gallery, Greensboro, NC
1995 Jeremiah Miller Gallery, Greensboro, N C
1994 High Point Theatre Galleries, High Point, NC
1994 "Lure of the Low Country", Gibbes Museum of Art, Charleston, SC
1993 Pfeiffer College, Misenheimer, NC
1993 Danville Museum of Art, Danville, VA
1993 Gallery C, Raleigh, NC
1992 Deland Museum of Art, Deland, FL
1992 Castle Park Gallery, Greenville, SC
1991 "Top Choices", Eve Mannes Gallery, Atlanta, GA
1991 Winthrop Galleries Inaugural Invitational, Rock Hill, SC
1991 Spegelsajen, Stockholm, Sweden
1990 Western Carolina University, Cullowhee, NC
1990 Gibbes Museum of Art, Charleston, SC
1990 Somar Invitational, Salisbury, NC
1989 Henley Southeastern Spectrum, Winston-Salem, NC
1988 Pfeiffer College, Misenheimer NC
1987, 1980, 1978, 1972 East Martello Tower & Museum, Key West, FL
1987 Pfeiffer College, Misenheimer, NC
1987 National Landscape Invitational, Appalachian State University, Boone, NC
1985 Sumter Gallery of Art, Sumter, SC
1985 Carroll Bassett Gallery, Camden, SC
1984 Wilkes Art Gallery, North Wilkesboro, NC
1984 Hobson Pittman Gallery, Tarboro, NC
1984 Governor's Business Awards for the Arts & Humanities Invitational, Wilkesboro, NC
1983 North Carolina Visiting Artists Exhibition, Greenhill Center for North Carolina Art, Greensboro,NC; Spirit Square, Charlotte, NC; Farthing Gallery, Boone, NC
1983 Southwestern Community College, Sylva, NC
1982 Mayland Technical College, Spruce Pine, NC
1982 Osterneck Auditorium, Lumberton, NC
1982 Haywood Technical College, Clyde, NC
1982 Hendersonville Public Library, Hendersonville, NC
1982 Hickory Museum of Art Invitational, Hickory, NC
1982 "Past & Present Instructors", Sawtooth Center for Visual Design, Winston-Salem,
1982 Gaston College Invitational, Dallas, NC
1981 McDowell Arts Council Gallery, Marion, NC
1976 Wesleyan College, Rocky Mount, NC
1965 American Red Cross International Traveling Exhibition


LONG-TERM RESIDENCIES

Millennium Artist, "Artists & Communities:America Creates for the Millennium",
Tullahoma, TN, 2000
Artist-in-Residence, Fine Arts Center of Kershaw County, Camden, SC, 1984-85
North Carolina Visiting Artist, Wilkes Community College, Wilkesboro, NC, 1982-84
North Carolina Visiting Artist, Blue Ridge Community College, Flat Rock, NC, 1980-82



CORPORATE & INSTITUTIONAL COLLECTIONS

Alabama Power Company, Birmingham
American Red Cross, Washington, DC
American Federation of State, County & Municipal Employees, Washington, DC
Blue Ridge Community College, Flat Rock, NC
Capital Broadcasting, Raleigh, NC
Dana Productions, Hopewell, NJ
Danville Museum of Art & History, Danville, VA
Deland Museum of Art, Deland, FL
Duke University Hospital, Durham, NC
EAISI Pharmaceutical, Raleigh, NC
East Martello Museum, Key West, FL
Federal Reserve Bank of Richmond, Charlotte, NC
George Washington University, Washington, DC
Gibbes Museum of Art, Charleston, SC
Glaxo-Smith Kline, Research Triangle Park, NC
IBM, Research Triangle, NC
Imperial Art Center, Rocky Mount, NC
Kenan Institute for the Arts, Winston-Salem, NC
Kernersville, NC Town Hall
Medical University of South Carolina, Charleston
National Park Service, Washington, DC
Northwestern Bank, Hendersonville, NC
North Carolina Methodist Home, Winston-Salem, NC
Nettles-Swartz Auditorium, Sumter, SC
Nursery Road School Library, Columbia, SC
Prudential Life Insurance Company, Newark, NJ
Robert Ivey Ballet, Charleston, SC
Rowan Public Library, Salisbury, NC
SAS Institute, Cary, NC
Salisbury, NC Post
Santee Cooper, Monck's Corner, SC
South Carolina State Collection
University of North Carolina at Greensboro
University of South Carolina at Sumter
Wake Forest University, Winston-Salem, NC
Wilkes Community College, Wilkesboro, NC
YMCA, Hendersonville, NC
City of St. Simons Island, GA
City of Tifton, GA
City of Milledgeville, GA
Town of Ocilla, GA
Artists & Communities:America Creates for the Millennium, Tullahoma, TN

Artist's Statement

I approach painting as an endeavor of the spirit. My primary desire is to express my
visceral astonishment of nature. To this end I interpret the character and energy of
my subject while exploring my own personality and responding intuitively to ideas
that pop up during the act of painting. The solitude of the landscape elicits feelings
and thoughts that arise naturally with no predetermined notion of illustrating an idea.
"Thinking" should be an unselfconscious instinctive flow. My initial emotion for the
landscape is the starting point. There is a delicate balance to maintain the integrity of that
original impetus while exploring an expressive and evolving painting method and
occasionally paying subliminal homage to other artists conjured up during the process.
I enjoy mining the gap between abstraction and representation, exploring my own
subtle fancies, relishing the tactile qualities of paint and obsessing about the
natural movement of hand and brush. I swim in mud-pie paint and play at a wall of
pigment and color striving for a complete interlocking of image and paint so that the
image is the paint and the paint is the image. This process that begins as a primal
celebration of nature, becomes an improvisational celebration of painting, a
serendipitous celebration of art history, and ultimately a simple celebration of self.