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Past Gallery Exhibitions
Portfolio Gallery 8

Each photo represents a different exhibition
Click on an image to enlarge and see additional photos from same exhibition


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Exhibitions

2015 Mahler Gallery, Raleigh, NC (Group Show)
2012 Artworks Gallery, Winston-Salem, NC
2011 Wake Forest University Baptist Medical Center, Winston-Salem, NC
2011 Apple Gallery, Danbury, NC
2011 Artworks Gallery, Winston-Salem, NC
2010 Keener Gallery, Winston-Salem, NC
2010 Dalton Gallery, Rock Hill, SC
2010 Artworks Gallery, Winston-Salem, NC
2009 Waterworks Visual Art Center, Salisbury, NC
2008 Milliken Gallery, Converse College, Spartanburg, SC
2007 Gateway Gallery, the Enrichment Center, Winston-Salem, NC
2007 Mooney Gallery, College of New Rochelle, NY
2006 Glance Gallery, Raleigh, NC
2006 Sumter Museum of Art, Sumter, SC, "South Carolina State Collection, 1987-2006"
2006 Elder Gallery, Charlotte, NC, "Earth and Its Elements"
2005 Glance Gallery, Raleigh, NC
2005 "Hand to Hand" Green Hill Center for NC Art, Greensboro
2004 Glance Gallery, Raleigh, NC
2004 Milton Rhodes Gallery, Sawtooth Center, Winston-Salem, NC
2003 "Riverways and Skyways"Caldwell Arts Council, Lenoir, NC
2001 Burroughs-Chapin Art Museum, Myrtle Beach, SC
2001 University of South Carolina at Aiken
2000 Regional Fine Art Center, Tullahoma, TN
1999 Footlight Players Theatre, Charleston, SC
1999 Art Thomas Gallery, Charleston, SC
1998 "Our Connection to the Land", Green Hill Center for North Carolina Art, Greensboro, NC
1997 University of South Carolina at Beaufort
1995 Art on Paper, Weatherspoon Art Gallery, Greensboro, NC
1995 Jeremiah Miller Gallery, Greensboro, N C
1994 High Point Theatre Galleries, High Point, NC
1994 "Lure of the Low Country", Gibbes Museum of Art, Charleston, SC
1993 Pfeiffer College, Misenheimer, NC
1993 Danville Museum of Art, Danville, VA
1993 Gallery C, Raleigh, NC
1992 Deland Museum of Art, Deland, FL
1992 Castle Park Gallery, Greenville, SC
1991 "Top Choices", Eve Mannes Gallery, Atlanta, GA
1991 Winthrop Galleries Inaugural Invitational, Rock Hill, SC
1991 Spegelsajen, Stockholm, Sweden
1990 Western Carolina University, Cullowhee, NC
1990 Gibbes Museum of Art, Charleston, SC
1990 Somar Invitational, Salisbury, NC
1989 Henley Southeastern Spectrum, Winston-Salem, NC
1988 Pfeiffer College, Misenheimer NC
1988, 1980, 1978, 1974, 1972 East Martello Tower & Museum, Key West, FL
1987 Pfeiffer College, Misenheimer, NC
1987 National Landscape Invitational, Appalachian State University, Boone, NC
1985 Sumter Gallery of Art, Sumter, SC
1985 Carroll Bassett Gallery, Camden, SC
1984 Wilkes Art Gallery, North Wilkesboro, NC
1984 Hobson Pittman Gallery, Tarboro, NC
1984 Governor's Business Awards for the Arts & Humanities Invitational, Wilkesboro, NC
1983 North Carolina Visiting Artists Exhibition, Greenhill Center for North Carolina Art, Greensboro,NC; Spirit Square, Charlotte, NC;
Farthing Gallery, Boone, NC
1983 Southwestern Community College, Sylva, NC
1982 Mayland Technical College, Spruce Pine, NC
1982 Osterneck Auditorium, Lumberton, NC
1982 Haywood Technical College, Clyde, NC
1982 Hendersonville Public Library, Hendersonville, NC
1982 Hickory Museum of Art Invitational, Hickory, NC
1982 "Past & Present Instructors", Sawtooth Center for Visual Design, Winston-Salem, NC
1982 Gaston College Invitational, Dallas, NC
1981 McDowell Arts Council Gallery, Marion, NC
1976 Wesleyan College, Rocky Mount, NC
1965 American Red Cross International Traveling Exhibition

Comments About the Paintings

"To come face to face with one of Jeremiah Miller’s large landscape paintings is to become mesmerized by a virtual wall of pure color. Up close the work is surprisingly abstract. The assertive texture and gestural brushwork belie its representational nature. Step back a few feet and the colors work their majic. Blending with the eye to create a vivid impression of nature.”
Thomas Jones, Director, Danville Museum of Art & History,
writing in exhibition monograph Momentary Solitude, Deland Museum of Art

“… a rough, clear vision.
Asheville Citizen, Asheville, NC

“The way he paints with color, the way he uses light and lush texture of his brush strokes give an allure to the mystery of a distinctive region of this country-the South. (His)… paintings depict a mood of solitude and silence and tend to dissolve into abstraction.”
Paul Figueroa, Director, Gibbes Museum of Art, quoted in Charleston Magazine

"Miller’s formlas produce tactile as well as visual pleasures.”
Orlando Sentinel, Orlando, FL


“Standing in front of Miller’s huge landscapes… I felt that I had jumped into the briar patch. These paintings are of places I know… often tight views, close-ups enlarged on mammoth canvases, of places I have found myself more than once, lost…. Everything one might see or hear in such a forsaken spot is in the atmosphere: the call of an unfamiliar bird, the snap of a twig, the still water standing at the base of vine-wrapped tree trunks, the rustle of naked branches, silence.”
Kathleen Vereen, Omnibus, Charleston, SC

“…Miller has enhanced his chosen imagery with a point of view which places us in the middle of his painted forest. Once there, we witness an obsession with color, with the sensual quality of paint, with the natural movement of hand & brush. As a result, the viewer may gain something of the essential quality of trees, an impossible feat with self-conscious tools.”
Arts Journal


“… serenity and inner joy is vibrantly and brilliantly depicted in his paintings”
Dimensions , Raleigh, NC

“Originality is little short of a signature… and it is attractive. Some of these pictures reach out and stop the passerby in his tracks. A studied glance will reveal much more than at first noticed. This, despite the fact that there is nothing esoteric or bizarre about these pictures. Their content is familiar places & people in routine activities.”
Key West Citizen, Key West,FL (1975)

“… in (Miller’s) environment we find a roadside stop where we imagine Thomas Cole’s Voyage of Life sailing through Jackson Pollock’s Autumn Rhythms.”
Tom Stanley, Director, Winthrop University Galleries, writing in the exhibition monograph In the Wild, Gibbes Museum of Art
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